In the vast, shimmering expanse of the South China Sea and the surrounding archipelagos of Southeast Asia, a quiet, catastrophic transformation is underway. It is a crisis defined by empty nets, exploited laborers, and a marine ecosystem teetering on the edge of total collapse. Now, through the lens of acclaimed photojournalist Nicole Tung, this invisible tragedy is being brought to the forefront of global discourse.

Her latest exhibition, Overfishing in Southeast Asia, currently on display at the Bronx Documentary Center through April 26, 2026, serves as a haunting visual indictment of the industrial fishing complex. As the laureate of the 15th Carmignac Photojournalism Award, Tung spent nine months documenting the systemic decay of fishing industries across Thailand, the Philippines, and Indonesia. Her work does not merely document the loss of marine biodiversity; it maps the intersection of human suffering, geopolitical friction, and the relentless hunger of global markets.


The Anatomy of an Invisible Crisis: Main Facts

At its core, Tung’s work exposes an industry that operates largely outside the view of the average consumer. The exhibition highlights a harrowing reality: for traditional, small-scale fishing communities, the ocean is no longer a sustainable lifeblood.

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project

"There just weren’t any fish of value to be caught near the shore anymore," Tung notes, summarizing a sentiment echoed by every community she visited. As industrial fleets—massive, technologically advanced vessels—sweep the seas, they leave behind "dead zones" where biodiversity has been stripped away. This creates a vicious cycle where local fisherfolk are forced to travel further out to sea, often entering dangerous or disputed waters, just to make a subsistence living.

The project identifies three primary drivers of this crisis:

  1. Ecological Collapse: The systematic extraction of marine life, including endangered species like sharks and wedgefish, is occurring at a pace faster than natural replenishment.
  2. Labor Exploitation: The industrial fishing sector is rife with human rights abuses, with vulnerable migrant workers often trapped in conditions of forced labor on vessels that remain at sea for months.
  3. Geopolitical Intrusion: In regions like the Philippines, the presence of foreign militia vessels, particularly those claiming territory under the "Nine-Dash Line," has turned fishing grounds into flashpoints of international conflict.

A Chronology of Decline: From Tradition to Industrialization

The transformation of Southeast Asian waters has not happened overnight. To understand the current state of affairs, one must look at the trajectory of the last two decades.

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project
  • Early 2000s: Regional fishing was still largely dominated by artisanal and small-scale operations. Traditional ecological knowledge and sustainable seasonal practices maintained a fragile balance between supply and demand.
  • 2010–2015: Rapid industrialization of the fishing fleet, coupled with a surge in global demand for seafood, led to a "gold rush" mentality. Overcapacity became the norm, as nations subsidized the expansion of their commercial fleets.
  • 2015: A pivotal year for Thailand, which faced severe international pressure regarding labor abuses and illegal, unreported, and unregulated (IUU) fishing. The Thai government implemented the "Port In Port Out" (PIPO) system, attempting to monitor vessels more stringently.
  • 2020–2025: Despite some regulatory efforts, the industry shifted toward more covert operations. In Indonesia, labor abuses transitioned from local to international, with reports of horrific conditions on Chinese, Korean, and Taiwanese vessels.
  • 2026: Tung’s exhibition serves as a critical retrospective of these years, revealing that while policies have been written on paper, the physical reality of the ocean continues to deteriorate.

Supporting Data: The Scale of the Extraction

The statistics behind the visuals in Tung’s exhibition are sobering. Indonesia, for instance, serves as a hub for the global shark fin trade. Ports like Tanjung Luar in East Lombok act as primary clearinghouses where endangered species are processed for export to Hong Kong and China.

Furthermore, the environmental impact is exacerbated by "ghost nets"—discarded or lost fishing gear that continues to trap and kill marine life indiscriminately. As seen in the imagery of a hawksbill turtle undergoing a double amputation, the collateral damage of industrial fishing extends far beyond the target species.

In Thailand, the struggle between environmental conservation and economic pressure is constant. While environmentalists argue for the maintenance of protected zones that have begun to show signs of recovery, the industrial lobby continues to pressure the parliament to relax regulations, citing the economic necessity of high-volume catches.

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project

Official Responses and Regulatory Challenges

The legislative landscape in Southeast Asia is a fractured patchwork. While Thailand has made strides with its PIPO system, the enforcement remains inconsistent. The challenge, as Tung discovered during her reporting, is not necessarily the lack of laws, but the lack of capacity—or political will—to enforce them.

In Indonesia, international treaties like CITES (Convention on International Trade in Endangered Species of Wild Fauna and Flora) are signed, yet the enforcement of bans on specific species remains abysmal. The illicit trade, driven by high demand for shark products for both culinary and cosmetic use, proves difficult to suppress in a nation with such an expansive coastline.

The situation in the Philippines is perhaps the most complex. Here, the struggle is not just about environmental protection; it is a matter of national sovereignty. Filipino fishermen, caught in the crosshairs of the West Philippine Sea disputes, are frequently harassed by foreign militias. This makes the implementation of local conservation laws nearly impossible, as local authorities are preoccupied with maintaining the territorial integrity of their waters against far more powerful, state-backed industrial actors.

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project

The Human Implication: A Culture in Extinction

Perhaps the most poignant aspect of Tung’s work is the documentation of the Urak Lawoi, an indigenous group in Thailand. Traditionally a seafaring people, the Urak Lawoi have seen their ancestral ways of life eroded by the dual forces of commercial overfishing and the shift toward tourism.

When the fish stocks vanished, the economic foundation of their culture crumbled. Many were forced to abandon their traditional vessels for employment in the tourism industry, effectively severing their spiritual and physical connection to the sea. This is not merely an environmental story; it is a story of cultural erasure.

Tung notes that the most profound discovery was the universality of the struggle. Whether in a rural port in Indonesia or an industrial hub in the Philippines, the sentiment is the same: the ocean is being emptied, and the people who rely on it most are the ones paying the ultimate price.

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project

The Path Forward: What Can the Individual Do?

When asked about the role of the individual in the face of such a monumental problem, Tung emphasizes the power of informed consumerism.

"I think the average person can just be more conscious of where their seafood comes from," she advises. She recommends utilizing resources such as the Monterey Bay Aquarium’s "Seafood Watch," which provides data on the sustainability of various species.

However, Tung warns that consumer choice is only part of the solution. The systemic nature of the crisis requires:

Nicole Tung on Photographing Overfishing in Southeast Asia: Inside Her Carmignac Award Project
  1. Asking Questions: Consumers must demand transparency from restaurants and fishmongers. If the origin of the fish cannot be verified, it should be avoided.
  2. Policy Advocacy: Supporting organizations and political candidates who prioritize sustainable ocean governance over industrial subsidies is essential.
  3. Visibility: As Tung points out, the crisis is "invisible" because we are disconnected from the source of our food. Bringing the reality of the sea floor and the conditions on these vessels into the public eye is the first step toward accountability.

Conclusion: A Call to See

The exhibition Overfishing in Southeast Asia is more than a display of photographs; it is a call to action. Nicole Tung has managed to capture the intersection of climate change, biodiversity loss, and human rights with a clarity that is both beautiful and devastating.

As we look at these images, we are forced to confront the reality that our dinner plates are connected to a global network of destruction. If we continue to ignore the silence falling over the ocean, we risk losing not only the species that inhabit it but also the cultures and livelihoods that have sustained themselves on its bounty for centuries. Tung’s work reminds us that the sea is not an infinite resource, but a finite, fragile system—and it is currently in critical condition.